Be the Light of the World Let Your Light Shine Art
If you've ever taken an art history course or spent time in a fine arts museum, chances are you know a lot almost the men who "divers" their mediums. Every bit with other subjects, most of what we learn nigh fine art history today still centers on white men from Europe and, after, the United States. In reality, there are so many more artists of all genders to acquire from and appreciate.
Here, we're specifically taking a look at just some of the women who have had lasting impacts on their fine art forms. From some of the art world's most iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, all the same have a manus — in changing the world of fine fine art and how we ascertain it.
Laura Wheeler Waring
Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more 30 years. Afterward studying the work of painters like Cézanne and Monet while abroad, she returned to the United states, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.
Cindy Sherman
Photographer Cindy Sherman was role of the Pictures Generation during the 1980s, and is peradventure most well known for her series of Untitled Film Stills (1977–eighty) — self-portraits in which Sherman "posed in the guises of various generic female motion-picture show characters, amidst them, ingénue, working daughter, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media'south influence over our individual and collective identities.
Yoko Ono
You might offset retrieve of Yoko Ono as a musician and activist, but she's also an accomplished operation and conceptual creative person. Ono was considered a pioneer in the operation art motility, earning the nickname the "Loftier Priestess of the Happening".
One of her most revered works, Cut Piece, was a operation she first staged in Japan; Ono sat on phase in a squeamish suit and placed pair of scissors in front of her, and, in an act of daring vulnerability, invited audience members to come on phase and cutting away pieces of her clothing. "Fine art is like animate for me," Ono has said. "If I don't do information technology, I start to choke."
Betye Saar
Before becoming a printmaker and activist, Betye Saar studied blueprint and was employed equally a social worker. A printmaking elective inverse her unabridged career trajectory — and, in plough, part of the trajectory of fine art history.
Saar was part of the Black Arts Move in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the fox is to seduce the viewer," Saar has said. "If you can get the viewer to await at a work of art, then you might exist able to give them some sort of message."
Frida Kahlo
Information technology's rare to notice someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like death and identity through her self-portraits. Kahlo ofttimes used bold, bright colors to create her symbol-rich works, and was regarded as ane of the most influential artists of the Surrealist motility.
Yayoi Kusama
Yayoi Kusama started painting at a very young age, but she's likewise known for her hyper-real sculptures, polka dots, installations, and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her indelible Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.
Amy Sherald
Amy Sherald is an American painter and portraitist who depicts Black Americans, frequently doing everyday activities — something that became more than common in portraiture writ big in the mid-19th century. Odds are that you recognize Sherald's work — and her signature grayscale peel tones — every bit she was the get-go Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.
Georgia O'Keeffe
Known every bit the female parent of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico'south landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York art world, all past painting in her unique style.
Adrian Piper
Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York City. She used her work to question order, identity, and racial politics by enervating the audience to confront truths virtually themselves. She frequently challenged people on the streets of New York to guess her race, socio-economic grade, and gender — all while dressed as a Black man with a faux mustache and sunglasses, or while wearing compelling statements on her clothes.
Shirin Neshat
Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Islamic republic of iran Islamic Revolution took identify. She is best known for her photography, movie, and video work, much of which explores the human relationship betwixt Islam'due south cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.
Jenny Holzer
As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.
These works display phrases that act as meditations on various concepts, such as trauma, knowledge, and hope. One of her more notable works, I Aroma You On My Peel, makes the viewer question what kind of sentiment the sentence conveys.
Rebecca Belmore
Much of Rebecca Belmore'due south art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise sensation effectually the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the kickoff Indigenous woman to represent Canada at the Venice Biennale.
Louise Bourgeois
While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — similar the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the art world.
Mickalene Thomas
Heavily influenced by popular civilization and pop art, Mickalene Thomas frequently embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.
Judy Chicago
Judy Chicago was one of the major figures within the early Feminist Fine art movement. As exemplified in her iconic piece of work The Dinner Party, her installation pieces often examine the function of women in history and culture — in the 1970s and earlier. While at California Country University in Fresno, Chicago founded the showtime feminist art programme in the Usa.
Augusta Savage
Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In addition to creating breathtaking sculptures, often of Black folks, Savage founded the Vicious Studio of Arts and crafts in Harlem in 1932, and, a few years later, she became the commencement Black American elected to the National Association of Women Painters and Sculptors in 1934.
Carolee Schneemann
Known for her provocative performance fine art practices, Carolee Schneemann is considered the progenitor of "trunk art". (Simply look up her most famous piece of work, Interior Scroll, and yous'll come across what we mean.) She used her body to examine women's sensuality and liberation from the oppressive artful and social conventions established past our patriarchal gild.
Nan Goldin
Famous for her in-the-moment photography, Nan Goldin'due south work challenges traditional power relations. In addition to documenting New York City'due south queer subculture mail-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.
Elaine Sturtevant
Does this await like an Andy Warhol to yous? Well, that's the idea! Elaine Sturtevant, who went by her terminal name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-correct copies of large-proper name artists' work.
Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art culture.
Ruth Asawa
During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa'due south final public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War Ii.
Catherine Opie
Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the historic period of 9. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — simply in a way that conveys power and respect by evoking traditional Renaissance portraiture.
micha cárdenas
micha cárdenas is an artist, author, theorist, and assistant professor who won an Bear upon Accolade at the Indiecade Festival in 2022 and the Artistic Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to accost global issues such as racism, gendered violence, and climatic change.
Lee Krasner
Lee Krasner was an Abstruse Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).
Source: https://www.ask.com/culture/women-who-changed-world-of-fine-art?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex
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